The Beatles – The Beatles At The Hollywood Bowl
Label: |
Parlophone – EMTV 4 (I) |
|---|---|
Format: |
Vinyl
, LP, Album, Stereo
|
Country: |
UK |
Released: |
|
Genre: |
Rock |
Style: |
Beat |
Tracklist
| A1 | Twist And Shout | 1:20 | |
| A2 | She's A Woman | 2:45 | |
| A3 | Dizzy Miss Lizzy | 3:00 | |
| A4 | Ticket To Ride | 2:18 | |
| A5 | Can't Buy Me Love | 2:08 | |
| A6 | Things We Said Today | 2:07 | |
| A7 | Roll Over Beethoven | 2:10 | |
| B1 | Boys | 1:57 | |
| B2 | A Hard Day's Night | 2:30 | |
| B3 | Help | 2:16 | |
| B4 | All My Loving | 1:55 | |
| B5 | She Loves You | 2:10 | |
| B6 | Long Tall Sally | 1:54 |
Companies, etc.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Record Company – EMI Records Ltd. – 0C 062-06 377
- Recorded At – Hollywood Bowl
- Remixed At – Air Studios
- Mastered At – Air Studios
- Lacquer Cut At – EMI Studios
- Printed By – Garrod & Lofthouse
- Published By – Sherwin Music Ltd.
- Published By – Northern Songs Ltd.
- Published By – Venice Music Ltd.
- Published By – Jewel Music Ltd.
- Published By – Ardmore & Beechwood Ltd.
- Published By – EMI
- Pressed By – EMI Records
Credits
- Engineer [Re-mix Engineer] – Geoff Emerick
- Engineer [Recording Engineer, 1964 Concert] – Hugh Davies (2)
- Engineer [Recording Engineer, 1965 Concert] – Pete Abbott
- Lacquer Cut By – HTM*
- Mastered By – Wally Traugott
- Photography By [Concert Photos] – Ken Veeder
- Producer [Final Mixdown And Sequencing] – George Martin
- Producer [Original Remote Recording At The Hollywood Bowl] – Voyle Gilmore
- Sleeve Notes – George Martin
Notes
Matte gatefold sleeve.
Printed thick paper inner sleeve with rounded corners, advertising other Beatles albums.
First catalog# EMTV 4 on cover & label, 2nd (EMI int. cat.#) 0C 062-06 377 on back of sleeve, 3rd EMTV 4 (I) on inner sleeve.
Parlophone - EMI Records Ltd. Hayes Middlesex, England. Printed by Garrod & Lofthouse Ltd.
℗ 1977 EMI Records Ltd.
All songs recorded live August 30th 1965 except tracks A6 to B1, B4 to B6 recorded August 23rd 1964.
Mastered in Air London Studios, January 1977.
All songs published by Northern Songs except A1 Sherwin Music Ltd., A3, B6 Venice Music Ltd., A7 Jewel Music Ltd., B1 Ardmore & Beechwood Ltd./EMI.
Matrices are stamped except for the 'HTM' etchings.
Printed thick paper inner sleeve with rounded corners, advertising other Beatles albums.
First catalog# EMTV 4 on cover & label, 2nd (EMI int. cat.#) 0C 062-06 377 on back of sleeve, 3rd EMTV 4 (I) on inner sleeve.
Parlophone - EMI Records Ltd. Hayes Middlesex, England. Printed by Garrod & Lofthouse Ltd.
℗ 1977 EMI Records Ltd.
All songs recorded live August 30th 1965 except tracks A6 to B1, B4 to B6 recorded August 23rd 1964.
Mastered in Air London Studios, January 1977.
All songs published by Northern Songs except A1 Sherwin Music Ltd., A3, B6 Venice Music Ltd., A7 Jewel Music Ltd., B1 Ardmore & Beechwood Ltd./EMI.
Matrices are stamped except for the 'HTM' etchings.
Barcode and Other Identifiers
- Matrix / Runout (Side A label): YEX 969
- Matrix / Runout (Side B label): YEX 970
- Matrix / Runout (Side A runout variant 1): YEX 969-1 ARH 6 HTM
- Matrix / Runout (Side B runout variant 1): YEX 970-1 GAH 2 HTM
- Matrix / Runout (Side A runout variant 2): YEX 969-1 GAG HTM 2
- Matrix / Runout (Side B runout variant 2): YEX 970-1 GDD HTM 1
- Matrix / Runout (Side A runout variant 3): YEX 969-1 ADG 6 HTM
- Matrix / Runout (Side B runout variant 3): YEX 970-8 RLA 1 HTM
- Matrix / Runout (Side A runout variant 4): YEX 969-7 OLM HTM 1
- Matrix / Runout (Side B runout variant 4): YEX 970-1 DVV HTM 1
- Matrix / Runout (Side A runout variant 5): YEX 969-7 RGO HTM 6
- Matrix / Runout (Side B runout variant 5): YEX 970-1 ROD HTM 4
- Matrix / Runout (Side A runout variant 6): YEX 969-1 RRH HTM 2
- Matrix / Runout (Side B runout variant 6): YEX 970-1 RHP HTM 1
- Matrix / Runout (Side A runout variant 7): YEX 969-7 G G L 1 HTM
- Matrix / Runout (Side B runout variant 7): YEX 970-6 R D R 1 HTM
- Matrix / Runout (Side A runout variant 8): YEX 969-2 MDM 1 HTM 3
- Matrix / Runout (Side B runout variant 8): YEX 970-1 AHR 1 HTM 4
Other Versions (5 of 168)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Beatles At The Hollywood Bowl (LP, Album, Stereo, Gatefold) | EMI Electrola | 1C 072-06 377 | 1977 | |||
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Recently Edited
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The Beatles At The Hollywood Bowl (LP, Album, Embossed cover, Winchester) | Capitol Records | SMAS-11638 | US | 1977 | ||
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Recently Edited
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The Beatles At The Hollywood Bowl (LP, Album, Stereo) | Parlophone | 2C 068 06377, 2c068-06377 | 1977 | |||
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Recently Edited
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The Beatles At The Hollywood Bowl (LP, Album, Stereo, Gatefold) | Odeon | 10C 064-06377 | Spain | 1977 | ||
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Recently Edited
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The Beatles At The Hollywood Bowl (LP, Album) | Jugoton | LSEMI-78004 | Yugoslavia | 1977 |
Recommendations
Reviews
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Edited one year agoPLESE NOTE: this is a gatefold, as per your pics, please update it, thanks -
What a great concept for a live Beatles album. The redone version with the accompanying film (eight days a week) is rather clean compared to what they had to work with. If only they had recording equipment from the 2020s in 1964. Still love this album. Hope someday they can clean up the Shea Stadium recordings enough to release it as an official concert along with the full video footage. Even if the boys are flubbing around on stage it's still history I'd pay good money for. -
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My best friend bought this for me from London. It was on sale at Camden Road for £8. Lovely condition. It seems that mine was the first pressing. It was pressed in Hayes, Middlesex, England.
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Jeese. The Beatles sound great as always but my goodness the crowd screaming throughout the entire LP is unignorable. One thing I really didn't like about Rush in Rio through Clockwork Angels Tour is just how prominent the crowd was in the mix, World's, Exit.., and a Show of Hands were all pretty good about keeping the crowd down. Idk why I'm comparing Rush to the Beatles. but anyway. Just... too much crowd for me. sorry
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This has been dramatically undervalued for a long time, at least in the US -- single pressing stateside and never digitized. It sounds awesome, with the madness of 17,000 fans screaming throughout the entirety but never overwhelming the mix. Sleek cover design with embossed replicas of the actual tickets to the two shows on the front and back, outstanding liner notes, memorabilia-packed and colorful gatefold, complimented by compelling black & white "splash" pics of screaming fans on both sides of the inner, with the signatures of all four tastefully placed at the top of one side -- complete audio/visual package! Did I mention the great live banter? A knockout release all around....
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