Tracklist
A1 | Crushed By The Wheels Of Industry | 5:51 | |
A2 | Who'll Stop The Rain | 3:02 | |
A3 | Let Me Go | 4:21 | |
A4 | Key To The World | 3:43 | |
B1 | Temptation | 3:31 | |
B2 | Come Live With Me | 4:02 | |
B3 | Lady Ice And Mr Hex | 3:47 | |
B4 | We Live So Fast | 3:47 | |
B5 | The Best Kept Secret | 5:10 |
Companies, etc.
- Phonographic Copyright ℗ – Virgin Records Ltd.
- Copyright © – Virgin Records Ltd.
- Published By – Virgin Music (Publishers) Ltd.
- Published By – Sound Diagrams
- Published By – Warner Bros. Music Ltd.
- Engineered At – Air Studios
- Engineered At – The Town House
- Pressed By – EMI Records
Credits
- Conductor [The Orchestra], Arranged By [The Orchestra] – John Barker (tracks: B1, B2, B5)
- Cover [Cover Concept], Painting – Ray Smith (10)
- Drum Machine [Linndrum], Programmed By [Synthesizer Programming], Vocals – Martyn Ware
- Drums, Percussion, Guest – Simon Phillips (tracks: B3, B5)
- Engineer – Greg Walsh
- Engineer [Air] – Jeremy Allom
- Engineer [Townhouse] – Howard Gray
- Grand Piano – Nick Plytas (tracks: A1, A3, B3)
- Guitar, Guitar Synthesizer [Guitar Synth], Guest – Ray Russell (tracks: A2, A4, B2)
- Other [Paving Slabs], Piano, Programmed By [Synthesizer Programming], Guest – Greg Walsh (tracks: A1, A4)
- Producer – Greg Walsh
- Programmed By [Synthesizer Programming] – Ian Craig Marsh
- Saxophone, Guest – Don Myrick
- Trombone, Guest – Louis Satterfield
- Trumpet, Guest – Michael Harris
- Trumpet, Trumpet [Solo Trumpet], Guest – Rahmlee Davis*
- Vocals – Glenn Gregory
- Vocals [Screams] – Sarah Gregory (tracks: A2)
- Vocals, Guest – Karol Kenyon* (tracks: A4, B1)
- Written-By – Ware*
Notes
Catalog number on sleeve: V2253
Catalog number on labels: V 2253
Exactly the same as The Luxury Gap except for the difference in pressing plant.
Karol Kenyon appears courtesy of A & M Records Ltd.
Another B.E.F. Production.
℗ 1982 Virgin Records Ltd.
© 1983 Virgin Records Ltd.
Includes a printed inner sleeve with lyrics, credits and selected BEF/Heaven 17 discography. Some copies came with a light blue outer sleeve spine instead of the usual purple spine.
Catalog number on labels: V 2253
Exactly the same as The Luxury Gap except for the difference in pressing plant.
Karol Kenyon appears courtesy of A & M Records Ltd.
Another B.E.F. Production.
℗ 1982 Virgin Records Ltd.
© 1983 Virgin Records Ltd.
Includes a printed inner sleeve with lyrics, credits and selected BEF/Heaven 17 discography. Some copies came with a light blue outer sleeve spine instead of the usual purple spine.
Barcode and Other Identifiers
- Matrix / Runout (A-side label): V 2253-A
- Matrix / Runout (B-side label): V 2253-B
- Matrix / Runout (A-side runout - Variant 1): V 2253 A-1-1-1-2
- Matrix / Runout (B-side runout - Variant 1): V 2253 B-1-1-1-6
- Matrix / Runout (A-side runout - Variant 2): V 2253 A-1-1-2-8
- Matrix / Runout (B-side runout - Variant 2): V 2253 B-1-1-1-8
- Matrix / Runout (A-side runout - Variant 3): V 2253 A-2-1-1 1
- Matrix / Runout (B-side runout - Variant 3): V 2253 B-1-1-1-11
- Matrix / Runout (A-side runout - Variant 3): V 2253 A-1-1-1-10
- Matrix / Runout (B-side runout - Variant 4): V 2253 B-1-1-2-1
Other Versions (5 of 76)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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The Luxury Gap (LP, Album, Stereo) | Virgin | 205 337, 205 337-320 | Europe | 1983 | |||
Recently Edited
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The Luxury Gap (Cassette, Album) | Virgin | TCV 2253 | UK | 1983 | ||
The Luxury Gap (LP, Album) | Virgin | 205337 | 1983 | ||||
Recently Edited
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The Luxury Gap (LP, Album) | Virgin | LAE-521 | Mexico | 1983 | ||
Recently Edited
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The Luxury Gap (LP, Album) | Virgin | VL 2253 | Canada | 1983 |
Recommendations
Reviews
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Picked up a NM copy of this for next to nothing and what a fabulous pressing it is, so dynamic and lovely full bass. Highly recommend this version.
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Still really like this album, although I can't stand listening to Temptation anymore. Been played to death and it grates nowadays.
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I don’t keep vinyl that I don’t listen to. I will sell it on and buy something else. From my continually changing collection this album has remained in there since when I bought it in 1983. It’s a great album and still sounds fabulous.
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Great sound and quality on this album .Grew up in Sheffield area brings all the synth /futurist memories back
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Edited 7 years agoMartin Rushent's Linn Drum programming on this is some of the most inventive and creative bar Trevor Horn's arrangements for Propaganda. Texturally the drum machine is centre stage and the songs seem to be built around these rock solid electronic rhythms all except for 'Lady Ice..' and 'Best Kept Secret'.
The massive sounding 'Key To The World' just booms with that huge drum sound.
Special mention also goes out to "Let Me Go" probably the first pop production to use the embryonic Acid sound of the Roland TB303.
'We Live so Fast' is all about those syncopated Linn drums again, with a decent side order of sparkling chrome synths.
I find the lyrics of 'Come Live With Me' a little dodgy, but the tune is great.
What I do like with some of the lyrics is the thinly veiled swipes at the horrors of capitalism and consumerist societal traps.
All in all this is a great 80's album which has really stood the test of time and another testament to the genius of Martin Rushent's unique production style. This and 'Dare' and to a lesser extent 'Love And Dancing' make up some of the best electronic music of that era.
Essential... -
I love this album. I think who'll stop the rain and Let Me Go are my favourites. Its really worth putting it on and leaving it on, one of those albums that grows on you. Some beautiful vocals on this too.
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"The Luxury Gap" is definitely a moment Heaven 17 were waiting for and made it big. While their debut album was still bravely crossing over into pop and experimental territory the principle core duo of Marsh and Ware pioneered when in The Human League, their second album brushed all the rough edges and delivered a stunning collection deservedly remaining in the ears (and hearts) of many.
Because, it is a true "greatest hits" collection - from "Crushed By the Wheels Of Industry" all the way through to the album's grand finale that is "The Best Kept Secret", there is this invisible yet nicely consistent storyline. While in their later years, Heaven 17 sadly lost (or simply, they willingly dropped) their electro-pop ideals for their white-soul pretenses, the group's first four albums plus "Endless" do provide an impressive catalogue, with a sophisticated pop pedigree.
Release
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