Peggy MarchRomeo Und Julia / Spar Dir Deine Dollar

Label:

RCA – 47-15007

Format:

Vinyl , 7", 45 RPM, Single, Mono

Country:

Released:

Genre:

Pop

Style:

Schlager

Tracklist

A Romeo Und Julia
Written-ByHenry Mayer
2:38
B Spar Dir Deine Dollar
Written-ByHenry Mayer
2:36

Companies, etc.

  • Record CompanyRadio Corporation Of America
  • Made ByTELDEC »Telefunken-Decca« Schallplatten GmbH
  • Lacquer Cut AtTELDEC-Studio, Hamburg
  • Pressed ByTELDEC-Press GmbH

Credits

  • Lacquer Cut ByS*
  • LeaderHenry Mayer
  • OrchestraHenry Mayer Und Sein Orchester*

Notes

Peggy March mit Chor
Side A: Slop
Side B: Shake

On cover:
Gala-Abend der Schallplatte - Schlagerpremiere

Sleeve is identical both sides.

Runout is stamped, except etched "S-H"

Barcode and Other Identifiers

  • Rights Society (Boxed): GEMA
  • Matrix / Runout (Label side A): UHPW-2530
  • Matrix / Runout (Label side B): UHPW-2532
  • Matrix / Runout (Runout side A, variant 1): 45-UHPW-2530 F Manufactured In
  • Matrix / Runout (Runout side B, variant 1): 45-UHPW-2532 Manufactured In S-H
  • Matrix / Runout (Runout side A, variant 2): 45-UHPW-2530- B Manufactured In
  • Matrix / Runout (Runout side B, variant 2): 45-UHPW-2532 Manufactured In S-H

Other Versions (2)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Romeo Und Julia (7", 45 RPM, Single, Test Pressing) RCA none 1967
New Submission
Romeo Und Julia / Spar Dir Deine Dollar (7", 45 RPM, Single, Promo) RCA 47-15007 1967

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Reviews

  • FHMunique's avatar
    FHMunique
    In my ears, the hit here is the amazingly groovy B-side.
    It's both bouncy and swinging and has clearly been influenced by the zeitgeist of the mid-1960s. Nancy Sinatra's "These Boots Are Made For Walking" comes to mind, also in of the confidently delivered lyrics, and French yeye is not far away.
    In comparison, the A-side sounds somewhat dated from today's perspective, a schlager with a certain proximity to "volkstümliche Musik" or even "Volksmusik" in the arrangement.
    Both sides were popular enough to be included two years later as A1 and A5 in a Peggy March greatest hits compilation.

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