The Who – Live At Leeds
Label: |
Track Record – 2406 001 |
|---|---|
Format: |
|
Country: |
Europe |
Released: |
|
Genre: |
Rock |
Style: |
Blues Rock |
Tracklist
| A1 | Young Man Blues | 4:52 | |
| A2 | Substitute | 2:23 | |
| A3 | Summertime Blues | 3:27 | |
| A4 | Shakin' All Over | 4:24 | |
| B1 | My Generation | 14:47 | |
| B2 | Magic Bus | 7:50 |
Companies, etc.
- Record Company – Universal Music
- Record Company – Universal International Music B.V.
- Record Company – Track Records Ltd.
- Phonographic Copyright ℗ – Polydor Ltd. (UK)
- Copyright © – Polydor Ltd. (UK)
- Remastered At – Close To The Edge
- Lacquer Cut At – Abbey Road Studios
- Pressed By – Optimal Media GmbH – BH82640
- Published By – Jazz Editions Inc
- Published By – Fabulous Music Ltd.
- Published By – Cinephonic Music Co., Ltd.
- Published By – Mills
Credits
- Design [2017 Design Reissue By] – Richard Evans (7)
- Design [Designed By] – Graphreaks
- Lacquer Cut By – Miles*
- Remastered By – Jon Astley
Notes
Issued in gatefold sleeve with printed inner sleeve.
Hype sticker, with catalogue number 5774830 and tracklist:
•The original six-track album from 1970. "The greatest live rock album of all time."
• Remastered and reissued on heavyweight 180-gram vinyl in a gatefold sleeve.
• Cut at Abbey Road with half-speed mastering process.
Catalogue number 5774830 in label matrices, inner sleeve; 006025 5774830 7 on back cover, label rimtext; original catalogue number 2406 001 inside gatefold.
Track A1 on label: Young Man
On back cover: ℗ 2017 Polydor Ltd. (UK). © 2017 Polydor Ltd. (UK). A Universal Music Company. Made In The EU. BIEM/SDRM. LC000309. Universal International Music BV, Gerrit Van Der Veenlaan 4, 3743 Dn, Baarn, Netherlands.
On labels: ℗ 2017 Polydor Records Ltd. (UK). © 2017 Polydor Records Ltd. (UK). A Universal Music Company. Made In The E.U. BIEM/SDRM. LC000309.
"Crackling Noises Corrected!"
Inside gatefold: Remastered at Close To The Edge
Runouts are etched, with Optimal plating symbols mirrored.
Track publishers:
A1: MS/Jazz Edition Inc.
A2, B1, B2: Fabulous Music Ltd.
A3: Synophonic Music Co. Ltd.
A4: Mills
Hype sticker, with catalogue number 5774830 and tracklist:
•The original six-track album from 1970. "The greatest live rock album of all time."
• Remastered and reissued on heavyweight 180-gram vinyl in a gatefold sleeve.
• Cut at Abbey Road with half-speed mastering process.
Catalogue number 5774830 in label matrices, inner sleeve; 006025 5774830 7 on back cover, label rimtext; original catalogue number 2406 001 inside gatefold.
Track A1 on label: Young Man
On back cover: ℗ 2017 Polydor Ltd. (UK). © 2017 Polydor Ltd. (UK). A Universal Music Company. Made In The EU. BIEM/SDRM. LC000309. Universal International Music BV, Gerrit Van Der Veenlaan 4, 3743 Dn, Baarn, Netherlands.
On labels: ℗ 2017 Polydor Records Ltd. (UK). © 2017 Polydor Records Ltd. (UK). A Universal Music Company. Made In The E.U. BIEM/SDRM. LC000309.
"Crackling Noises Corrected!"
Inside gatefold: Remastered at Close To The Edge
Runouts are etched, with Optimal plating symbols mirrored.
Track publishers:
A1: MS/Jazz Edition Inc.
A2, B1, B2: Fabulous Music Ltd.
A3: Synophonic Music Co. Ltd.
A4: Mills
Barcode and Other Identifiers
- Barcode (Scanned): 602557748307
- Barcode (Text): 6 02557 74830 7
- Label Code: LC000309
- Price Code: SUPER
- Rights Society: BIEM/SDRM
- Matrix / Runout (Side A label): 5774830 A
- Matrix / Runout (Side B label): 5774830 B
- Matrix / Runout (Runout side A, variant 1): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED BH82640 01A1
- Matrix / Runout (Runout side B, variant 1): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED BH82640 01B1
- Matrix / Runout (Runout side A, variant 2): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED BH82640 01A1 ˄1
- Matrix / Runout (Runout side B, variant 2): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED BH82640 01B1
- Matrix / Runout (Runout side A, variant 3): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED. BH82640-01 A1 1△
- Matrix / Runout (Runout side B, variant 3): 5774830 MILES ABBEY ROAD ROOM 30 1/2 SPEED. BH824̶6̶640-01 B1 2-
Other Versions (5 of 288)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
|
Live At Leeds (LP, Album) | Polydor | 2482025 | New Zealand | 1970 | ||
| Live At Leeds (LP, Album, Stereo, Gloversville Pressing, Gatefold) | Decca | DL 79175, DL-79175 | US | 1970 | |||
|
Recently Edited
|
Live At Leeds (LP, Album, Blue Lettering) | Track Record | 2406 001 | UK | 1970 | ||
|
Recently Edited
|
Live At Leeds (8-Track Cartridge, Album, Stereo) | Decca | 6-9175, 9175 | US | 1970 | ||
|
Recently Edited
|
Live At Leeds (LP, Album) | Polydor | 2406 001 | Australia | 1970 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
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Reviews
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I was 18 years old when The Who released their first album in '65. But by then I was firmly locked in, to The Beatles and The Rolling Stones. Then The Moody Blues, Deep Purple and Led Zeppelin appeared. Somehow The Who didn't factor in quite so much with me. But they were always there, on FM, and I finally woke up in '71 to "Who's Next". About the same time I hear "Live At Leeds". I have to it that it was that version of "Magic Bus" that finally did it. What an absolutely awesome band! Now I have a serious digital collection of The Who's music, but only "Who's Next" and "Live At Leeds" on vinyl.
I agree with the comments already given below. The quality of sound, the pressing, and the personal feeling of being there. And as far as the minimal extra amount of unwanted noise goes, I find that the volume knob on my amp deals with that quite well. The Who always did like it played loud anyway, didn't they? No regrets buying this record. Just what I needed! A classic for sure. -
Really like the quality of this reissue. Great quality pressing. Feels like you are there in Leeds!!
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Side one is pretty quiet and side two isn’t too bad, just had a little surface noise especially at the beginning of track 2. But overall a very nice sounding reissue with lots of warmth and good bass and treble. Not disappointed with the copy. If it were a little more on the quiet side, I’d have given it 4 stars. -
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