Theorem – THX - Experiments In Synchronicity

Before parting from this world I would love to hear all techno good quality rare stuff, amazing truly, well done minimalist with breathing sound and long atmospheres, or some dry but still well composed, and well has some hints of Detroit that are appreciated.

I got this album for more than 20 years in my car. Still on heavy rotation, really timeless.
Track 3 & 4 are gorgeous, Track 7 is incredible, Track 10 is my favorite of the whole record.

5/5

THX—EXPERIMENTS IN SYNCHRONICITY collects together Theorem’s collaborations with like-minded artists Sutekh, Stewart Walker, and Swayzak for results that are more than the sum of its parts. His work with Sutekh, for example, ranges from the meditative “Socius” to the alternately twitchy and graceful “Mitochondria,” to the crunchy glitch house of “Canis.” Stewart Walker, on the other hand, is more club-ready throughout, from bass-heavy thumping with “Recoil” and smoother tech-house with “Minor Explosions,” and even into some disco “Too Distant Images.” But, not surprisingly, his work with Swayzak grabs the most attention from the sustained moodiness of “Break in at Apt 205” to the simple loops of “Unherluferlick” or the shiny and crackling “Day from Hell.” “Devil of Rotations” combines Swayzak’s dub techno with the crisp starkness of Theorem’s Detroit melodies, and “Interstate” throws it all together into a gorgeous jam. The experiments succeeded!

Theorem vs. Sutekh, Stewart Walker & Swayzak. "Experiments in Synchronicity compiles Theorem's THX series of net-based collaborations with like-minded producers of the minimal tech-house massive. Originally released as a collection of 12-inch singles during 2000-2001, the THX project was an experiment borne of technology. With the use of phone Lines, CDRs and FTP s, Detroit's Theorem (a.k.a. Dale Lawrence) provided source materials and Swayzak, Stewart Walker and Sutekh tweaked, layered, arranged and produced the end result. In the case of Swayzak and Walker, new ideas were bounced back to Detroit where Lawrence took over production duties, culminating in even more tracks. While trading (c)licks back-and-forth, Theorem and friends grafted new technotic hybrids rather than simply remixing each other's work. The end result is a fantastic display of risk and restraint. While straddling the line between minimal dub/techno and micro-house, all four collaborators push and pull, allowing each other's fingerprints to firmly embed themselves in the mix.